Irwin Terry has some new notes at Goreyana about the original artwork from 1997's The Bell, the Book, and the Spellbinder:
It is always exciting to see Edward Gorey's original paintings from the Bellairs series. As with most of Mr. Gorey's original artwork, in person the images appear to be larger than the printed versions, when in fact they are executed 100% to the final printings. As can be seen in the image above, the painted background on this piece extends well beyond the crop marks which indicate the dimensions of the jacket and where the spine will be positioned.
Mr. Gorey usually stays close to the crop marks when painting the outside edges of the art, and the crosshatched parts of this image do just that. The watercolor background swirls and fairly bursts at the edges giving the painting a wild, stormy look. Because of this, the original artwork has much more movement than the cropped image on the printed dust jacket.
[More: May 2011]