Something for the Smead Jolley Fans

A user named DMcCunney answers the age-old question about which book have you read/re-read all your life and confesses how the late Smead Jolley made someone a brief fantasy convert.  No errors there, Smead!

Time Capsule: 1860

1860: At the northwest corner of Michigan and Kalamazoo Avenues stands one of the most unusual pieces of architecture to be seen anywhere in the United States and it's celebrating its 150th anniversary this year.

Goreyana: Eyes & Lamp

Notes from Goreyana about The Eyes of the Killer Robot and The Lamp from the Warlock's Tomb:

• The Eyes of the Killer Robot has a wrap-around dust jacket design and a frontis drawing. I don't feel that the dust jacket painting for this book is as polished as the art for many of the other titles in the series. The artwork does convey atmosphere, but is not a favorite of mine. The artwork was sold by Bromer Booksellers in 2001.
• For The Lamp from the Warlock's Tomb, the front and back cover of the dust jacket do not read as a continuous image when viewed as a single image. The back of the jacket is daytime and the front is night, and there is a solid break at the spine between the images. This is one of the dust jacket paintings that was cut and sold in two pieces by Gotham Book Mart. An image of the front half of the dust jacket art without the type was included in Gorey Rare, a 2007 spiral bound calendar/date book.
• The frontis illustration...is one of the more technically challenging pieces of art created by Edward Gorey for the Bellairs series. To convey the darkness of the room, Mr. Gorey covered the entire surface of the art with his signature line work. Even so, the objects in the room are distinct and clearly visible. It is truly a masterpiece of control and consummate skill. 

Author Living in Haverhill

The following article appeared in the Newburyport Daily News promoting one of John’s visits to the Haverhill Public Library to meet his fans, 30 years ago today - May 10, 1980.  Anyone reading today who was there for this event is more than welcome to share their memories in our comment section.

Review: House "As An Adult It Struck Me As Just A Little Too Far-fetched"

Book review: The House with a Clock in its Walls

Top 10 Places to Visit

As we prepare for the tenth anniversary of Bellairsia, we’re using our slightly-worn Twitter feed to share some memorable moments and commentary in the form of Top Ten lists.

Cuffs In The Question

A few years ago, during a redesign of the Bellairsia website, we thought it would be fun to add some sort of interactivity in to the mix. You know, for kids: games or puzzles or the like.

Was Shakespeare's Ghost Writer ... Shakespeare?

My introduction to the Shakespeare authorship question was Joseph Sobran's 1997 book, Alias Shakespeare. I don't remember much about the book now - except one of the proposed candidates was Christopher Marlowe, who I remembered as the "great reckoning in a little room" guy from The Spell of the Sorcerer's Skull - but I still keep an eye open when stories and theories appear.

Including this April 26 article from CNN:

Praise for John Bellairs: Hero

Bellairs fan Paul Magrs shares some thoughts about his new hero - and welcome to the world of all things Bellairsian!

2010 Edward Gorey House Exhibition

The theme of the 2010 exhibition at the Edward Gorey House in Yarmouth Port, Massachusetts is Gorey-illustrated works by other authors. Goreyana blog author Irwin Terry writes he lent a few pieces of original artwork for display [also]:

Top 10 Favorite Villains

As we prepare for the tenth anniversary of Bellairsia, we’re using our reasonably-new Twitter feed to share some memorable moments and commentary in the form of Top Ten lists.

The Ultimate Goose Chase: 30 years without a "Clue"

A few years ago we were revising the Bellairsia website, which meant scanning and creating new images from the television adaptations of The House with a Clock in its Walls and The Treasure of Alpheus Winterborn (we had clearer versions of the programs which meant we could create clearer images for the site). No, the programs are not great and the routine of updating the pictures was not an enjoyable task, either. Still, in watching the programs and examining the pictures we realized there were some exterior shots of the characters in front of houses and parks and a cemetery, among other places.

'Tis Fitz We Understand

The prefix Fitz- is an old word for "son of", especially used for the illegitimate sons of royalty.  Bear that in mind as we lay out this factoid.

We recently came across this exciting book, A Descriptive Catalogue of the manuscripts in the Fitzwilliam Museum, by Montague Rhodes James (yeah, that M. R. James). The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge and was founded in 1816 with the bequest of the library and art collection of the 7th Viscount FitzWilliam.

The Supersizing of the Last Supper

Knowing that Leonardo da Vinci's 15th century painting The Last Supper is the most reproduced religious painting of all time, I'm sort of surprised Bellairs's didn't find a way to spoof it somewhere in Saint Fidgeta and Other Parodies.

Anyway - when an academic study decided to show proof of food portions increasing over time, how far back did they go? How about all the way back to the Last Supper, as this March 23 Reuters article noted:

Goreyana: The Revenge of the Wizard's Ghost

Goreyana author Irwin Terry out-does himself with his notes about the various pieces of artwork for The Revenge of the Wizard's Ghost:

• Edward Gorey provided artwork for the full wrap around dust jacket, the hand lettered type for the cover and spine, a frontis drawing, and two interior spot illustrations. I have all of these pieces of art in my collection, and also have the water color sketch Mr. Gorey made for the dust wrapper design.
• Mr. Gorey often blocked out color paintings by making a loosely painted sketch before proceeding with the final illustration. I am not aware of any other preliminary art which exists from the Bellairs series. The preliminary art shows all the major elements in place for the dust jacket, although the evil floating face in front of Johnny on the cover is inexplicably smiling! This piece of art is a wonderful look into how Edward Gorey sketched out his paintings. Artists often create color renderings before attacking complicated paintings, and Mr. Gorey's sketches are always very loose. This piece has paint liberally splashed about!
• It has been pointed at Bellairsia that on the first edition hard cover edition of this book, the spelling on the stained glass window is incorrect - "ZABU". It is corrected on the paperback edition to "ZEBU". Looking closely at the original artwork, there is a practically invisible paste-up over the showing where Mr. Gorey corrected his mistake. This misspelling is even more unusual considering the word is spelled correctly on the sketch.
• The two pieces of interior artwork complete the collection from this title. The smaller of the two could have easily been lost over the years, and the diagram drawn by "Professor Coote" at the end of the story is another example of the care Edward Gorey took for even simple illustrations.